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Not everyone in history thought that 12-TET was an acceptable compromise. Johann Sebastian Bach thought we should use other tuning systems that made better-sounding thirds and fifths in some keys in exchange for worse-sounding thirds and fifths in others. In Bach’s preferred tuning, each key had its own distinctive blend of smoothness and harshness. However, Bach did not get his way. We as a civilization have collectively decided that we want all our keys to be interchangeable. There are good reasons to want this! In 12-TET, all intervals and chords are built from standardized, Lego-like parts. You don’t have to keep track of a complicated web of different-sized intervals in every key. If you move a song from C to C-sharp or D or anywhere else, you can be confident that it will still sound “the same.”
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Enables bit 2 in mode register MR3 so that the DRAM returns data from the Multi Purpose Register (MPR) instead if the DRAM memory.