这种“舒服”正是港式叙事的老手艺：用笑声把观众带进现实，用现实把笑声染上一点苦味。《夜王》的含笑量充足，但笑点细细品味不算轻快，它们往往伴随着停顿与迟疑，让观众在笑过之后突然意识到：支撑笑声的东西正在消失。它把夜总会从“道德争议”里抽离出来，放回经济与城市结构的变动中，告诉观众“消失”不是戏剧冲突的需要，而是时代逻辑的必然。
Without bigger government incentives, oil firms will be reluctant to take what could be an expensive plunge. Small wonder, then, that ExxonMobil boss Darren Woods has called Venezuela "uninvestable" in its current state.
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Nature, Published online: 24 February 2026; doi:10.1038/d41586-026-00591-z